Sunday, July 6, 2025
  • Login
CEO North America
  • Home
  • News
    • Business
    • Entrepreneur
    • Industry
    • Innovation
    • Management & Leadership
  • CEO Interviews
  • Opinion
  • Technology
  • Environment
  • CEO Life
    • Art & Culture
    • Food
    • Health
    • Travel
No Result
View All Result
  • Home
  • News
    • Business
    • Entrepreneur
    • Industry
    • Innovation
    • Management & Leadership
  • CEO Interviews
  • Opinion
  • Technology
  • Environment
  • CEO Life
    • Art & Culture
    • Food
    • Health
    • Travel
No Result
View All Result
CEO North America
No Result
View All Result

CEO North America > CEO Life > Art & Culture > Music legend Nile Rodgers: ‘Guitars shaped my destiny’

Music legend Nile Rodgers: ‘Guitars shaped my destiny’

in Art & Culture
Has the zombie apocalypse of forest fires begun?
Share on LinkedinShare on WhatsApp

As a multiple GRAMMY-winning composer, producer, arranger, guitarist and the co-founder of CHIC, Nile Rodgers has written and produced hundreds of hit records over the past five decades. In December, his impressive collection of guitars, clothes and classic cars will be sold at Christie’s New York in aid of his charitable organisation, We Are Family Foundation.

From his beatnik upbringing and early involvement with the Black Panthers to his contribution to the birth of hip-hop, his time with CHIC and his later work with Diana Ross, David Bowie, Madonna and Daft Punk, Nile Rodgers is one of the few people for whom it would not be a cliché to say his legend precedes him.

Now 69, the artist still works tirelessly, combining his love for music with philanthropy. In 2001, in the wake of the 9/11 attacks, Rodgers and his life-partner Nancy Hunt set up the We Are Family Foundation — named after the song he wrote for Sister Sledge — to which he will be donating the net proceeds from the auction of more than 160 pieces from his personal collection of guitars, amps, synthesizers, mixing boards, clothing and classic cars in New York next month. ‘To work with Nile Rodgers in helping bring his collection to auction has been a privilege and a thrill’, says Gemma Sudlow, Christie’s Head of Private & Iconic Collections. ‘It’s incredible to work with this talented and magnanimous man.’

‘Every guitar has a unique story,’ says Rodgers, and his collection is a testament to his many collaborations with figures who have shaped the sound of the past 50 years. The guitars in the sale reflect the course of his career, beginning with a Fender Stratocaster Rodgers helped design. It is based on his signature instrument ‘The Hitmaker’, the guitar he has played in CHIC and beyond.

Rodgers describes how he bought the original Hitmaker in Miami in 1973 after he and the band’s co-founder Bernard Edwards were asked to fill in for the opening act on a Jackson Five world tour. ‘The Jackson Five were playing Dancing Machine… and it just sounded so awesome. Bernard looked at me and was like: “Man, will you go get a Strat?” At this point in my life I was playing jazz guitars, and I wasn’t quite convinced.’

But that same night another gig persuaded Rodgers to seek out Fender’s classic model: ‘The band had a kid who was younger than me… he plugged into my gear and he sounded better than me. And I was like: “Wait a minute, what’s going on here?” The only difference was he had a Stratocaster and I was still playing a jazz guitar.’

The next day Rodgers went to a pawn shop and traded his jazz guitar in for the Stratocaster that would become The Hitmaker, an instrument which he used on some of CHIC’s biggest hits, from Le Freak to Good Times. ‘Little did I know that guitar would shape my destiny,’ says Rodgers. who subsequently collaborated with Fender on a line of guitars, of which this one is a prototype, that will ensure the next generation will have access to the instrument that gave him his unique sound.

Released in 1978, Le Freak sold more than seven million copies worldwide and became one of CHIC’s signature hit songs, making Rodgers’s name as a songwriter and musician. But in 1979 a campaign mounted by aggrieved rock fans, with the slogan ‘Disco Sucks’, had a profound impact on his career.

In 1982 CHIC broke up — though the band would re-form in the 1990s — and Rodgers focused on solo work, releasing his first album, Adventures in the Land of the Good Groove, in 1983. With its elegant cream body and long neck the ESP 400 Series in the collection appears unassuming at first but, as Rodgers says, it is much more than a bass guitar.

‘David Bowie had come to my apartment,’ he explains, ‘and he wanted to hear what I was working on.’ Rodgers played him the new album and, as he did so, began worrying about how experimental it was. ‘As a Black artist there’s only really one lane we can drive down in America. And I knew that none of those songs fit that lane,’ he explains, ‘I was being avant-garde. I was trying to run away from CHIC.’

While Rodgers was fretting over his career Bowie heard something new and exciting in the record. ‘I remember Bowie saying — and this is an exact quote: “If you do a record for me half as cool as that I’ll be the happiest man in the world”.’ This moment, says Rodgers, underpinned by the ‘boom boom boom’ of the ESP bass, led to the two collaborating on Let’s Dance, Bowie’s best-selling album and is still considered a classic record.

These stories, filled with humour and humility, are characteristic of Rodgers’ approach to his success and his love for music: while he has collaborated for decades with the great and the good he remains unjaded because, as he puts it, ‘I’m not just a composer or a producer, I’m a fan of musicians’.

This respect for his forebears is evident in the number of instruments Rodgers bought for his collection, from a recreation of John Lennon’s favourite guitar, the Rickenbacker 325, to an electric arch-top designed — and later signed — by legendary jazz guitarist Joe Pass. Letting go of these artefacts is like letting go of a part of himself, he explains, ‘Those are just my guitars, but when I’m thinking about them leaving my world and leaving my life, all of a sudden I get this strange connection, maybe like parents feel when their kids go off to college or something.’

But while there is great sadness in the parting, Rodgers takes comfort in the fact that the money they will raise will go to those who need it most. The We Are Family Foundation is dedicated to ‘creating programmes that promote cultural diversity while nurturing and mentoring the vision, talents and ideas of young people who are positively changing the world’.

Rodgers hopes it will grow for many decades, to continue the work of young activists beyond his own time. ‘These are kids who come from nowhere,’ he explains, ‘and you realise how brilliant they are. They just need help. We go around the world and find these kids and help amplify their voices and their messages. I couldn’t think of a better motivator for selling my guitars.’

While his philanthropic spirit is undeniable, Rodgers also believes in the importance of passing his beloved possessions on to those who will appreciate them and use them, whether a Porsche ‘Slantnose’ Turbo Targa 911 ST that Gene Simmons of Kiss once almost threw up in, or the 1981 Tokai guitar Rodgers played on Daft Punk’s Get Lucky. ‘For me,’ says Rodgers, ‘I wonder what it was like before it got into my hands. What I’m trying to do is see what it’s going to be like in the life of someone else after me.’

Tags: Guitars shaped my destinyMusic LegendNile Rodgers

Related Posts

Beyond the Machine: Why Human-Made Art Matters More in the Age of AI
Art & Culture

Beyond the Machine: Why Human-Made Art Matters More in the Age of AI

An Art Lover’s Guide to Mexico City
Art & Culture

An Art Lover’s Guide to Mexico City

British Library symbolically reinstates Oscar Wilde’s reader pass
Art & Culture

British Library symbolically reinstates Oscar Wilde’s reader pass

The Impact of Film on Society: A Deeper Look
Art & Culture

The Impact of Film on Society: A Deeper Look

Is Art Criticism Getting More Conservative, or Just More Burnt Out?
Art & Culture

Is Art Criticism Getting More Conservative, or Just More Burnt Out?

Rashid Johnson: A Poem for Deep Thinkers
Art & Culture

Rashid Johnson: A Poem for Deep Thinkers

How To Start Your Art Collection
Art & Culture

The trouble with AI art isn’t just lack of originality. It’s something far bigger

Sotheby’s to auction oldest inscribed tablet of the Ten Commandments
Art & Culture

Blue-Chip Artists Help Sotheby’s Three-Pronged Finale to a Solid $186.1 M. Total

“Architecture is Survival”: In Conversation with Curator Carlo Ratti at the 2025 Venice Architecture Biennale
Art & Culture

“Architecture is Survival”: In Conversation with Curator Carlo Ratti at the 2025 Venice Architecture Biennale

A child scratched a Mark Rothko masterpiece worth millions
Art & Culture

A child scratched a Mark Rothko masterpiece worth millions

No Result
View All Result

Recent Posts

  • What makes the Royal Edinburgh Military Tattoo so special?
  • Beyond the Machine: Why Human-Made Art Matters More in the Age of AI
  • 7 Benefits of High Intensity Interval Training
  • Paramount CEO explains why company paid Trump millions in 60 Minutes settlement
  • SAS CEO announces Air France–KLM to become majority owner

Archives

Categories

  • Art & Culture
  • Business
  • CEO Interviews
  • CEO Life
  • Editor´s Choice
  • Entrepreneur
  • Environment
  • Food
  • Health
  • Highlights
  • Industry
  • Innovation
  • Issues
  • Management & Leadership
  • News
  • Opinion
  • PrimeZone
  • Printed Version
  • Technology
  • Travel
  • Uncategorized

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

  • CONTACT
  • GENERAL ENQUIRIES
  • ADVERTISING
  • MEDIA KIT
  • DIRECTORY
  • TERMS AND CONDITIONS

Advertising –
advertising@ceo-na.com

110 Wall St.,
3rd Floor
New York, NY.
10005
USA
+1 212 432 5800

Avenida Chapultepec 480,
Floor 11
Mexico City
06700
MEXICO

  • News
  • CEO Interviews
  • Opinion
  • Technology
  • Environment
  • CEO Life

  • CONTACT
  • GENERAL ENQUIRIES
  • ADVERTISING
  • MEDIA KIT
  • DIRECTORY
  • TERMS AND CONDITIONS

Advertising –
advertising@ceo-na.com

110 Wall St.,
3rd Floor
New York, NY.
10005
USA
+1 212 432 5800

Avenida Chapultepec 480,
Floor 11
Mexico City
06700
MEXICO

CEO North America © 2024 - Sitemap

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Home
  • News
    • Business
    • Entrepreneur
    • Industry
    • Innovation
    • Management & Leadership
  • CEO Interviews
  • Opinion
  • Technology
  • Environment
  • CEO Life
    • Art & Culture
    • Food
    • Health
    • Travel

© 2025 JNews - Premium WordPress news & magazine theme by Jegtheme.